Leaders come to Al Makkiyah
One of the most interesting private residences in Saudi Arabia is the home of well-known architect and historian Dr. Sami Angawi. Al Makkiyah mansion attracts leaders and visitors from around the world.
Angawi is an expert in Islamic architecture and is also outspoken about his faith, Islam. The house serves as a meeting place for individuals and groups seeking to communicate Middle Eastern culture to peoples and groups on other continents. He believes, however, that extremists are attempting hijack Islam. He and other Muslim leaders hope to maintain Islam’s core roots—balanced and moderate and more tolerant of people’s differences.
Angawi is known for his activism–especially his strong views about historic preservation in the holy cities of Mecca and Medina. Many significant sites of Islam have been destroyed under direct orders from radical religious leaders in an effort, they claim, to prevent idolatry or because of what they consider to be,the veneration of gravesites or relics. (See my story “Grandmother Eve’s grave.”)
Public lectures and concerts
The Angawi house is a cultural haven in Jeddah where his family and friends regularly host lectures, concerts and timely discussions, often on a weekly basis.
The design of this residence combines modern construction techniques with traditional crafts such as Turkish mosaic and Moroccan zillij. Red Sea coral reef stone, desert sandstone, marbles and granite are utilized throughout the exterior and interior.
Old-style natural ventilation techniques minimize the need for air-conditioning even at the peak of hot Arabian summers. A computerized drip-watering system feeds thousands of hanging plants that are an integral feature of both the central internal courtyard and the exterior ground and roof gardens.
The Islamic principle of sitr (ensuring privacy for neighbors as well as inhabitants of the house) is accomplished by using traditional rawasheen bay windows and intricate hand-carved Hijazi woodwork over the openings.
Bridging nations and faiths
For decades Saudi Arabia has been generally considered a somewhat closed society, eager to protect its own traditions from external cultural influences.
While preservation of traditions is of great concern to Dr. Sami Angawi, his desire is balanced with a passion for building bridges between nations, cultures and faiths.
His architectural designs assert the importance of his HIjazi heritage with the common cultural heritage shared by both western and Islamic societies; believing that a “clash of civilizations” need not lead to misunderstanding, but rather friendship, trust and peace.
This concept of balance, known in Arabic as mizan, is the essence of Islamic tradition and of many of the world’s religious beliefs. The aspiration of Angawi to reflect this historic principle in his life and work is important. It has made him a leader in building bridges between the Middle East and the rest of the world. “More balance can be achieved through respect for the past,” Angawi says. “In our Al Makkiyah mansion, modernity and tradition, privacy and openness, stability and dynamism are equally represented to generate harmony.”
Hijazi culture influences the modern world
Angawi is the founder of the renowned Hajj Research Center in Mecca and also the Amar Center for Architectural Heritage. He has dedicated his life to preserving the history and architecture of Islam’s holy cities of Mecca and Medina; encouraging dialogue about Islam and cross-cultural collaboration and understanding between institutions and universities worldwide.
Angawi’s Hijaz ancestry can be traced back to the Mecca region along the central Red Sea coast. It is his lineage, dating back to the time of the Prophet Mohammed, that has formed his religious thought. “The Hijaz,” he says, “is the site of Islam’s holy places and the melting pot of the Muslim world. Millions of pilgrims from all over the world have traveled annually for centuries to the region, enriching it with their traditions and ideas.”
Respect and compassion
Angawi believes that respect, solidarity and compassion are human values and inspiring principles for every culture and all faiths. “Being aware of these intrinsic similarities and stressing them is the only antidote to fear, bigotry and ignorance.”
In a 2011 interview with Arab News, Angawi said, “Al Makkiah represents a seed. I wish that one day we could have thousands Al Makkiyahs and establish a ‘United Nations of people,’ regardless of their race, color or beliefs.”
When Arab News challenged his concept as being Utopian, Angawi said he finds inspiration in water. “It is a powerful element, stronger than rocks, steel and diamonds. If it doesn’t reach the sea, water changes its status and comes back in other forms to achieve the goal.”
Al Makkiyah/Al Mediniyah Institute
Dr. Sami Angawi is now gathering an international board of intellectuals, activists and businessmen to create his legacy–an international institute offering degrees in Islamic history and science, the Al Makkiyah / Al Mediniyah Institute will provide courses in Islamic history, architecture and science.
The institute at Al Makkiyah will house Angawi’s more than 100 thousand photographs, drawings and writings about Islam and the two holy cities Mecca and Medina. The school will be a collaborative educational experience, providing American, Canadian and European students the opportunity to research Islam on location in the Hijaz–right where the faith has advanced over the past 1400 years.
Here’s a short video describing the Al Makkiyah mansion:
Sources: Arab News, wikipedia.com, Saudi Airlines, CNN, History of Architecture, BBC, Harun Yahya TV
Dream come true
Today my friend Aidarous Al Mashhour drove me to the Khalil Mosque here in Jeddah, Saudi Arabia. After we prayed together at the mosque, Aidarous told the imam about my childhood dream—to climb to the top of a minaret.
The imam directed us to the caretaker of the mosque who was more than happy to unlock the door to the inner stairway of the minaret. After some ten minutes of climbing through very narrow openings I arrived at a balcony which encircles the upper section of the minaret. I was so happy to be able to look out over the city of Jeddah and to consider the hundreds of years of Islamic history that minaret represented..
The history of this marvelous structure
The minaret is one of the most distinctive features of a mosque. It’s history is interesting, not just to Muslims, but also in the annals of architecture.
Remarkably, there are very few references to the minaret in Arabic literature.
The name itself is somewhat strange, and in no way represents the purpose for which these towers are built. The word in Arabic means “an object that gives light” ((Arabic nur, meaning “light”; hence mi-nur-rat or minaret). So, from the name itself one could wrongly conclude the minaret to be a type of “light house” or tower with a light on top.
Some suggest that the minaret gets its name from the light that the muadhin (“caller to prayer”) would hold as he recited the adhan (call to prayer). Others indicate that in some of the oldest mosques, such as the Great Mosque of Damascus, minarets doubled as illuminated watchtowers.
The earliest Islamic mosques had no minarets. The mosques built in the days of the Prophet Mohammed in Mecca and Medina were very simple. There was nothing like a tower associated with these early houses of prayer and worship.
The call to prayer
The use of the adhan goes back to the lifetime of the Prophet Mohammed. The adhan is, for sure, one of the most characteristic, powerfully evocative symbols of Islam. This Arabic call to prayer, dramatically intoned by a muadhin from high atop a lofty minaret—once heard—it can never be forgotten!
The use of the adhan goes back to the lifetime of the Prophet Mohammed, and is mentioned only once in the Qur’an, in connection with the Friday assembly:
“O you who have believed, when [the adhan] is called for the prayer on the day of Jumu’ah [Friday], leave your business and proceed to the remembrance of God. That is better for you, if you only knew” (Sura 62:9).
Muslim tradition explains how the adhan came to be used to announce the times of the five daily prayers.
After the emigration of Mohammed and his followers from Mecca to Medina (known as the Hijra) a believer named Abd Allah ibn Zaid had a vision in which he tried to buy a wooden clapper to summon people to prayer, as was the tradition of Christians living in Medina at that time. But the man who had the clapper advised him to call out to the people instead and to cry:
God is the greatest! God is the greatest!
I testify that there is no god but God.
I testify that Muhammad is the Prophet of God.
Come to prayer! Come to prayer!
Come to salvation! Come to salvation!
God is the greatest! God is the greatest!
There is no god but God!
Bilal, Islam’s first “caller to prayer”
According to Ibn Ishaq, the eighth-century biographer of Prophet Mohammed, Ibn Zaid went to the Prophet with his story and Mohammed, having had a similar dream, agreed. He told Ibn Zaid to ask an Ethiopian believer named Bilal, who had a marvelous voice, to call the Muslims to prayer.
Early traditions indicate that Bilal made his call to prayer from the rooftop of the Prophet’s house, which doubled as a residence and a place for prayer and worship.
Indeed, no towers were used or mentioned. The ancient poet al Farazdak spoke of the adhan as being prounounced “on the wall of every city.” In the later hadiths it was said “the muadhin, if he is on the road, may make the call to prayer while riding; he need not halt.”
(Note: Below, I have put a short, stirring video of the call to prayer being made from the minarets of Jeddah. Listen to it.)
First mentions of minarets
The first time a minaret is referenced in connection with the mosque was in Medina–some 80 years after the Prophet Mohammed’s passing.
The massive minaret of the Great Mosque of Kairouan in Tunisia is the oldest standing minaret. Its construction began during the early 8th century and was completed in 836 CE. Its imposing square-plan tower consists of three sections of decreasing size reaching 31.5 meters (103 feet). Considered as the prototype for minarets of the western Islamic world, it served as a model for many minarets to come.
Perhaps you heard recently about the 12th-century Great Umayyad Mosque in Aleppo, Syria. It was a UN World Heritage Site. Sadly, its ancient minaret was completely obliterated a few months ago during a battle of the ongoing Syrian Civil War.
The minaret’s design
Minarets basically consist of three parts: a base, shaft, and the tower gallery. For the base, the ground is excavated until a hard foundation is reached. Gravel and other supporting materials may be used as a foundation.
Minarets may generally tapered upward, square, cylindrical, or polygonal (faceted). Stairs circle the shaft in a counter-clockwise fashion, providing the necessary structural support to the decidedly elongated shaft.
The gallery is a balcony which encircles the upper sections from which the muadhin may give the call to prayer. It is usually covered by a roof-like canopy and adorned with ornamentation, such as decorative brick and tile work, cornices, arches and inscriptions, with the transition from the shaft to the gallery typically sporting muqarnas (collections of small corbels that form a transition from one plane to another). Formerly plain in style, a minaret’s place in time can be determined by its level of embellishment.
The symbolic moon
The crescent moon, sometimes combined with a star, often tops the minaret. This symbol was often used by the late Turkish Ottoman Empire; however, its not the official symbol of Islam.
In many nations; however, it remains a generally accepted symbol of Islam in much the same way the Star of David represents Judaism or as the cross is representative of Christianity.
The crescent moon points to God’s awesome creation. We read in the Qur’an, “Surely your Lord is none other than God, Who created the heavens and the earth in six days, and then ascended His Throne; Who causes the night to cover the day and then the day swiftly pursues the night; Who created the sun and the moon and the stars making them all subservient to His command. Lo! His is the creation and His is the command. Blessed is God, the Lord of the universe” (Qur’an 7:54-58). A similar sentiment is echoed by the prophet King David in the Psalms, “When I consider your heavens, the work of your fingers, the moon and the stars, which you have set in place, what is mankind that you are mindful of them, human beings that you care for them?” (Psalm 8:3-5).
The crescent moon is not, as some Islamophobic individuals continue to wrongly assert, a “secret Muslim moon god”! The Qur’an forbids the worship of idols of any kind. “And from among His signs are the night and the day, and the sun and the moon. Do not bow down (prostrate) to the sun nor to the moon, but only bow down (prostrate) to God Who created them, if you (really) worship Him” (Qur’an 41:37).
Watch this short BBC report on Jeddah’s mosques and the call to prayer:
Sources: The Oxford History, wikipedia.com , Saudi Aramco World, BBC, CNN, Architectural History